Back when we reviewed Start the Car: The World According to Bumble, we suggested that rather than majoring on Lloyd’s zaniness, they might have been better off writing a traditional autobiography. Well this is what they’ve done. The result is indeed a better book.
For those that don’t know, before Lloyd was a TV commentator, he was variously county captain, Test cricketer, first-class umpire and England coach, all while maintaining strong links with Accrington CC in the Lancashire league. If you want a rounded perspective on cricket, he is perhaps uniquely qualified.
That’s very much the strength of the book – the various vantage points on the sport. That breadth of experience combined with Lloyd’s many years in cricket means the book transcends most modern autobiographies in having plenty of subject matter to tackle.
We also prefer reading about eras we don’t know so well. It means you’re less likely to find yourself enduring yet another account of a story you already know too well featuring characters who are all-too-familiar. We’d rather learn something new, like that Vanburn Holder was nicknamed ‘Hosepipe’ due to certain physical attributes.
One concern you may well harbour is that rather than trying to sell this book on wackiness, they’re instead trying to sell it on salt-of-the-earthiness. Look! There he is on the cover in a tin bath! He’s from Accrington, you know!
It’s a legitimate fear and while it’s occasionally justified, the relatively straightforward nature of the book means moments like this are rarely gratuitous. When we learn that he was last in the queue for said tin bath, it really is just to give some sense of what his upbringing was like and you then see how that upbringing informs many of his decisions later in life.
If there’s a flaw, it’s in the tone. For the most part, it reads like any other autobiography, but there are occasional flashes of ‘personality’. Ghost writer Richard Gibson had an impossible task here in our opinion. People tend to think that it would be easier to capture the tone of someone like Lloyd who has a very distinctive way of speaking, but it’s the opposite really. Every time there’s a ‘flipping ‘eck’ or a ‘not on your nelly’ it’s not a natural, casual thing. As a reader, you’re aware that someone else has seen fit to write it and that it’s subsequently been passed by an editor. It makes these turns of phrase kind of laboured and awkward.
We enjoyed Start the Car, but it did manage the somewhat unusual feat of leaving us less certain of how much we really liked David Lloyd. This book redresses the balance a bit. Don’t buy Last in the Tin Bath for the zaniness or earthiness, buy it if you’ve a genuine interest in the career of someone who maybe wasn’t the greatest player, but who has been around and seen a lot. It’s a straightforward autobiography really, but in this instance that’s no bad thing.